Showing posts with label alternative rock. Show all posts
Showing posts with label alternative rock. Show all posts

Friday, December 31, 2010

Weezer - Hurley

Paul's Choice:
Weezer - Hurley

Friend Review:
There’s always a sense of anticipation and fear that grows in me with every Weezer release. I get excited because I want to hear what my second favorite band of all time has in store for me and fear because I know there’s always a possibility of another Raditude fiasco. Just by listening to the opening track and single, “Memories”, you can tell that my boys have definitely stepped up from their prior release. It sounds like they’re finally having fun again. The first couple of tracks have a bit of a dirtier sound reminiscent o their earlier releases while still have the fun pop-punk sound they have become accustomed to. I feel like one of the best moments of this life resides in “Unspoken”. Tell me that doesn’t sound like a track that just missed the cut off of Maladroit. “Where’s My Sex?” is a song that went a bit over my head. He’s sing about socks but calling them sex? I’m not sure man. But listen to that bridge! I know it’s only about 16 seconds, but that bit is nothing short of RAD. The best thing about this album is that Weezer has for the most part gone back to their regular practice. They’ve written fun songs that are catchy and enjoyable. Any old-school =w= fans like myself will get a kick out of their latest work. Is it as good as Blue or Pinkerton? No, and likely there will never be anything else remotely close to those classics. Is it a step in the right direction? Most definitely, and anyone who has ever considered themselves a fan of Weezer would act in their best interest to give this album a spin.

Friend Rating:
8.1

Hipster Review:
Dear God...
I'd write a message to Rivers Cuomo kindly telling him to please stop making music (it's not like he gets what's lacking in it anyway, so he might as well stop altogether), but then I stop and ask myself: does he really give a shit? Obviously not, since he's still chugging out albums that are utterly devoid of artistic value, regardless of the unanimous backlash they receive. I wish he had this kind of "fuck all ya'll" attitude back in the 90's when he was actually making music that meant something. But no, he had to have an emotional breakdown that had him in seclusion for nearly half a decade, only to emerge with a "new outlook" on songwriting. But even the Green Album, as mediocre as it was, still had something resembling a spirit. In fact, I'd rather listen to both the Green Album and Maladroit ten times over then listen to any of the terrible (terrible, terrible, terrible...) albums they put out since Make Believe even once. And despite the somewhat warm critical reception Hurley has been getting, I hate it just as much as those albums. To quote Kevin Malone from The Office, "Oh it's bad. It's REAL bad."
I have to admit though, I was curious to listen to this thing after I saw the album cover, just as I was curious to listen to Raditude after hearing about the batshit-crazy collaborations. But, just like last time it was only a ploy, and I really should have known better. You see, that's what Weezer has been reduced to: a band whose wild announcements ("Hey guys, let's do a song with Kenny G! Or better yet... Lil' Wayne!"), meme-worthy album covers, stupid song titles (does "Where's My Sex?" give you a good idea of what you're in for?), etc have been given higher priority over creating songs that are actually good. "Memories" and "Time Flies" are the only ones here that didn't either make me laugh my ass off or want to stab my eardrums with a pencil. But the latter is basically a mimickry of Neutral Milk Hotel, and the former a mere parody of what the band once was. Shame on you, Rivers. Shame on you, Weezer.

Hipster Rating:
2.8





Coming up next, My Beautiful Dark Twisted Fantasy by Kanye West (I think? It might be a different album)!

Sunday, August 8, 2010

New Politics - New Politics

Paul's Choice:
New Politics - New Politics

Friend Review:
So, you probably may know (or you may not, jeez what do I know) that I got to interview New Politics and then watch them play live later that night. THIS WAS EASILY ONE OF THE COOLEST THINGS I HAVE EVER GOTTEN TO DO. But I will get into all of that later; right now I’m going to talk about their recently released self-titled album.

I’m going to start out with the opening track and the band’s debut single, “Yeah Yeah Yeah”. I’ve heard people say that LCD Soundsystem’s song “Drunk Girls” is the song of the summer. That’s crap, don’t listen to those people. Another nomination is Wavves’ “King of the Beach”. Definitely runner-up, but no cigar. People, “Yeah Yeah Yeah” is the song of the summer and there is no better song blast on full volume as you roll down Beltline feeling awesome. Maybe that’s just me, I dunno. But this is pretty much a perfect song, it combines a ridiculously catchy chorus, a march-style bridge, and great instrumentation (the guitar solo and each drum fill are very appropriate and awesome). The lyrics of this opener set a theme regular throughout the rest of the album: rebellion. New Politics’ lyrics are witty and powerful and as a result the album as a whole packs a pretty powerful punch. This is album is pure good alternative rock composed of all the right parts great instrumentation (despite lacking a bassist, all the songs sound full and have catchy melodies), great vocals (the band finds a good balance between rapping and singing, it’s definitely not overdone in anyway), and great lyrics (any middle-schooler looking to get out of the MTV phase needs to listen to this album). This is the best debut album I’ve heard from a band in a while and I’m definitely expecting to hear more from these guys in the future (“Give Me Hope” and “Dignity” are just waiting to get popular).

As for their live set, if you ever get a chance to see New Politics play live, TAKE IT! These guys put so much energy into each song, I don’t know how they do it day in and day out. It’s just simply awesome to see David Boyd breakdance, Poul Ameliel drum while standing up (which I try to do constantly and fail at) and Soren Hansen rock out with his cock out (nah, he doesn’t do that, but he is a really rad guitarist). And they sound absolutely fantastic so don’t miss out!

Friend Rating:
8.6

Hipster Review:
I remember Paul coming up to me one band practice, laptop in hand saying, "Check this out." So I watched; what he was showing me was a music video for New Politics' single "Yeah Yeah Yeah." It was pretty good; I mean, granted it wasn't particularly my thing, but it was interesting enough. It was a familiar sound, but it was energetic and catchy. So, I went into the Denmark band's debut expecting that same energetic pull, something distinguishable from the myriad of other Alt-rock groups today.
No such luck. A lot of the songs on this album are very samey, though not in the sense that every song sounds the same; on the contrary, each song has its own distinct feel and sonic approach. What does feel the same, however, is the band's music compared to any number of other Alt-rock bands out there; I just feel like I've heard this many, many times before - and I wasn't exactly a fan of the first few times either. There are some good ideas here, but personally there's just too much here that doesn't really grab me. Granted, it could be a lot worse (Third Eye Blind is better than Nickleback, after all), but it's still just not my thing. I mean, there's definitely a good audience for this band, I have no doubt. I'm just not a part of it.

Hipster Rating:
6.1





Coming up next, The Way Out by The Books!

Wednesday, April 28, 2010

Flobots- Survival Story

Paul's Choice:
Flobots- Survival Story
Friend Review:
Wow. I don’t think I’ve ever had an album ever exceed my expectations as much as this one did. Flobots had the most typical story ever set up: their first major album was pretty average. It produced one awesome song that saw major radio play but other than that they were pretty quiet as all the other tracks were just alright. Let’s start this off from the beginning: after hearing “Cracks in the Surface”, it is my personal opinion that every album from now on should start with a super awesome crescendo. This thing grabs your attention quick and sucks you in; if that first song doesn’t get you excited, I don’t know what will. One new thing I love about this album are the trading verses between Johnny 5 and Brer Rabbit. Even if the lyrics get a bit cheesy in “The Effect”, the constant trade-off between the two rappers keeps things fast-paced and interesting. Between these two and violist Mackenzie Roberts, (just listen to her sing in “Defend Atlantis” and “Good Soldier” and try not to fall in love) the group is not short of vocal talent. Which leaves me bewildered as to why they felt the need to include Tim Mcilrath of Rise Against on “White Flag Warrior”. It feels out of place and forced in, if they had Roberts singing on that track I think it could’ve been decent, but I cannot stand the sound of Mcilrath on that track which I believe is definitely the weakest of the album. Matt Morris is also featured as a guest vocalist in “Infatuation”. His inclusion is definitely more subtle than Mcilrath’s contributions but does not contribute much to the song. The closing song “Panacea for the Poison” features Rabbit’s voice at its smoothest and the soothing sound of Roberts’ viola, something I have yet to find in any other band. I know I’ve put a lot of emphasis on the vocals, but I don’t want to take any credit away from the instrumentation of the album. In any given song the music alone keeps the listener interested. Hip Hop/Rock works are very hard to pull off, but Flobots accomplishes it in this album flawlessly. If you get a chance, I urge you to listen to more than just “White Flag Warrior”, I know I was happy with my choice.

Friend Rating:
8.6

Hipster Review:
I must disclaim: I am not exactly a fan of this band. But at least the material I've heard from their debut was fun. Yeah, it wasn't that original or (in my opinion) good, but it was entertaining enough. But on this album it sounds like they're eyes are bigger than their stomaches. This time, instead of aping Cake, Flobots have decided to go for a P.O.D. (ew), Rage Against The Machine-esque sound template, while throwing in a bunch of stuff that, quite frankly, doesn't belong. I was both intrigued and confused by the band's decision to include Gogol Bordello-like instrumentation in the songs. It's a neat idea, but it really doesn't fit well here; if anything, it makes the songs sound even cheesier than they already are. Which brings up another aspect of the album that bothers me: the lack of a cohesive narrative or message. Flobots are penned as a "political-minded" group, but lyrically there are way to many ideas that are thrown at the listener, without any real knot tying them together. I'm sure they have plenty to say, they just don't put it together well. And now I come to the rapping, and I'm assuming that this is supposed to be a Rap album for the most part: it really feels like that basic premise is pushed to the sidelines behind all these other ideas. The rapping seems like an afterthought, which is a shame because "Jonny 5", as he calls himself, is a half-decent MC. All in all, this is a pretty lame album, overzealous in it's scope and half-assed in it's execution.

Hipster Rating:
3.8

Coming up on Sunday, "Congratulations" by MGMT!